Alessandro Haber
Alessandro Haber, born in Bologna on January 19, 1947, is an Italian actor, film director, and singer. His family background is diverse; his father was Romanian of Jewish origin, and his mother was Italian (Catholic). He spent much of his childhood in Israel before returning to Bologna at age nine, where he began pursuing his dream of acting. Haber made his film debut in 1967 with a role in Marco Bellocchio's La Cina è vicina , subsequently appearing in films directed by Taviani, Fellini, Bertolucci, and Damiani. Haber’s career encompasses both dramatic and comedic roles. He had a leading role in Pupi Avati's Christmas Present in 1983, which proved to be a turning point for him. He appeared in numerous theatrical productions including Orgia , Woyzeck , The Miser , Uncle Vanya , Dialogo , and A Servant of Two Masters . In 2006, he began touring theatres with Tango d'amore e di coltelli , based on a text by Jorge Luis Borges and featuring music by Ástor Piazzolla. He has also appeared in films such as Sotto il segno dello scorpione (1969), L'amante dell'Orsa Maggiore (1971), and Amici miei - Atto IIº (1982). Haber directed his only film, Scacco pazzo , in 2003, based on a play by Vittorio Franceschi. Throughout his career, Alessandro Haber has received significant recognition. He has been awarded three Nastro d'Argento awards, including one in 1994 for his performance in La vera vita di Antonio H , and a David di Donatello award. He also received the Premio Gassman in 2006 for his performance as Uncle Vanya and a Premio IDI. Haber has released three albums: Haberrante (1995), Qualcosa da dichiarare (1999), and Il sogno di un uomo (2003), with "La valigia dell'attore" written by Francesco De Gregori becoming his most successful single. Currently, he participates in the 'Divertiamoci a Teatro' revue, which is in its 27th edition at the Teatro Nuovo in Verona, and will perform VOLEVO ESSERE MARLON BRANDO from December 2nd to 5th, 2025. The revue explores themes of friendship, relationships, family ties, and personal vulnerabilities, and includes meetings with the actors followed by a toast.