Mohamed Rouabhi
Mohamed Rouabhi is a French author, actor, and stage director, born on February 18, 1965, in the 10th arrondissement of Paris. His family history reflects a complex intersection of cultures and political struggles; his father was a member of the French Foreign Legion's indigenous battalions during World War II, while his mother participated in the Algerian War and was captured as a member of the FLN. These experiences appear to inform his later work, particularly his advocacy for diversity within the theater industry. Rouabhi’s training began with formal studies at the Conservatoire national supérieur d'art dramatique (CNSAD), where he studied acting with Marcel Bozonnet and Stuart Seide. He also attended the École nationale supérieure des arts et techniques du théâtre (ENSATT), first in 1985, then again in 1986. Initially, a director at ENSATT expressed concerns about his ability to succeed professionally, but Rouabhi perseveres, believing he needed to "break down load-bearing walls" to create opportunities for himself and others. From the mid-1980s, he worked as an actor in theater productions, often featuring contemporary authors. His creative output also includes writing for Lumières de la ville and contributing to eight issues of Vacarme , and staging an unpublished poem by Mahmoud Darwich in 1997. Rouabhi’s career encompasses a range of creative endeavors. He wrote and directed Providence café at the Théâtre du Rond-Point in 2003, and has published several plays including Les Fragments de Kaposi (1994), Malcolm X (2000), and Alan suivi de Jamais seul (2017). He also wrote a play for young audiences titled Jérémy Fisher in 2002. Notable acting roles include appearances in L'Exercice de la bataille (1991), Amphitryon (1994), and Prometeo (2002). In 2017, he co-created and starred in Jamais seul , and collaborated on Faut-il laisser les vieux pères manger seuls aux comptoirs des bars in 2020. He received the SACD New Talent Theater Award in 2002. Currently, Rouabhi performs at various theaters including the Théâtre Hébertot, Théâtre de la Cité Internationale, MC93 Bobigny, Théâtre Aleph Ivry sur Seine, and Nouveau Gare au Théâtre Vitry sur Seine, with tickets available through Billet Réduc. He actively advocates for a quantified assessment of diversity within the theater, arguing that ethnic statistics are needed to accurately understand the situation and criticizing what he perceives as resistance to such assessments.