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Global Talent Directory

Comedians from Ecuador

The comedian directory for Ecuador: profiles, bios, photos and social links.

Ecuador Verified Clear all
Showing 1-2 of 2 comedians
Carlos Michelena, comedian from Ecuador – satire, political comedy
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Ecuador

Carlos Michelena

Carlos Alberto Michelena Soria, known as "El Miche", is an Ecuadorian actor, comedian, cartoonist and humorist, considered one of the most representative figures of street theatre in Ecuador. His long career combines political satire, social humour and criticism of inequality. He was born in Quito on 5 January 1954 into a family of limited means: his father was a shoemaker and his mother sold sweets and newspapers on the street, and as a child he helped the family by selling sweets himself. He went to primary school at the Colegio Simón Bolívar but did not finish secondary school. He became interested in theatre at ten, miming to records at a neighbourhood club in El Dorado, Quito. At fifteen, encouraged by his mother, he began attending the drama school of the Casa de la Cultura Ecuatoriana as an observer, and then worked as a props assistant for the Teatro Ensayo company, where he got his first role, in Huasipungo, based on Jorge Icaza's novel. He started his acting career at the Casa de la Cultura's theatre school at eighteen, trained under the director Antonio Ordóñez, and acted with Teatro Ensayo in plays such as Boletín y elegía de las mitas, Dos viejos pánicos and El médico a palos. He later joined the Ollantay company of the National Polytechnic School and the group Malayerba, and directed Teatro de la Calle, which took plays to squares and parks. Since the 1980s his stage has been El Ejido park in Quito, where, with his face painted white and in costumes he makes himself, he plays characters drawn from everyday life, from neighbours, workers and street sellers to politicians and the powerful, using irony to make audiences think. The press has described El Miche as a cross between a political jester and a popular chronicler. He has also worked in television, radio and online. In 2011 he opened a circus show, El circo del Miche, which ran for three weeks at the Carpa Teatro, and in 2019 he presented El toque del Miche at the Teatro Centro de Arte in Guayaquil. He prefers open spaces, which let him improvise on what happens around him, and avoids double-entendre humour. In 2003 the Casa de la Cultura Ecuatoriana awarded him its Order of Artistic Merit.

Verified Unclaimed
Ecuador

Ernesto Albán

Ernesto Albán Mosquera was an Ecuadorian actor, musician and comedian, one of the most representative figures of twentieth-century popular theatre in Ecuador. He was born in Ambato on 5 June 1912, to Luis Alfonso Albán Egüez and Dolores Mosquera Veloz, but spent most of his artistic life in Quito, where he lived for more than five decades and won national fame. He began as a tango singer and, in the early 1930s, joined Quito theatre companies such as Vásconez-Merizalde and Moncayo-Barahona, at first in small parts, just as the talkies were starting to draw audiences away from traditional theatre. He staged plays such as Alberto Novión's En un burro tres baturros, Felipe Sassone's A campo traviesa and Argentino en Madrid, along with French vaudevilles and Spanish comedies by Carlos Arniches, Linares Rivas, Joaquín Dicenta and Jacinto Benavente, and toured the whole of Ecuador with great success. The turning point of his career came when he blended the influence of Charlie Chaplin with the work of the Ecuadorian writer Alfonso García Muñoz, whose Estampas de mi ciudad caricatured the customs and daily life of Quito. From it he created Don Evaristo Corral y Chancleta, the character who stayed with him for the rest of his career, and with it he established the Estampas Quiteñas, humorous and satirical sketches of the country's social and political life. On stage Don Evaristo was joined by Jesusa (Lastenia Rivadeneira), Marlene (Chavica Gómez) and Sarzosa (Carlos Vásconez, later Oscar Guerra). The Estampas toured the country, celebrating the virtues of ordinary Ecuadorians while mocking the mistakes of the governments of the day with irony. Albán was also part of the Gómez-Albán company with the actress Olimpia Gómez and his wife, Chavica Gómez, performing comedies, vaudevilles and musicals. In the 1960s and 1970s he co-produced and acted in Mexican films, including Contra viento y marea (1962), División narcóticos (1963), Los fenómenos del fútbol, La sonrisa de los pobres, En la mitad del mundo and Las chivas rayadas (1964), Fiebre de juventud (1966), Bromas S.A. (1967) and Santo contra los secuestradores (1973), and he played Alejandro in the Ecuadorian film Dos para el camino (1981). Ernesto Albán died in Quito on 22 July 1984, aged 72. Thousands of people came to pay tribute as his body lay in state at the Teatro Sucre, and he is buried at the Parque de los Recuerdos in Quito.

Ecuadorian comedy grew from popular theatre. In the twentieth century companies in Quito toured the country with comedies, vaudevilles and musical revues, and the actor Ernesto Albán created one of the country’s best-loved characters, Don Evaristo Corral y Chancleta, in the Estampas Quiteñas, humorous sketches about the customs, politics and daily life of Quito. Those sketches celebrated ordinary Ecuadorians while laughing at the mistakes of the government of the day.

Street theatre is another strong tradition. Since the 1980s Carlos Michelena, known as El Miche, has performed in Quito’s El Ejido park with a white-painted face and home-made costumes, playing characters from neighbours and street sellers to politicians and using irony to make audiences think. Guayaquil and Quito also have growing stand-up scenes, and many younger comedians reach their audiences through television, theatre tours and social media.

Ecuadorian humour often plays with regional rivalries between the coast and the highlands, local accents, politics, family life and the contrasts of city life. On GiggleTime you can browse comedians from Ecuador, read their profiles in your own language and discover performers from the country’s theatres, streets and stages.